Starred Review Eight years ago, Fernando Pessoa & Co., a 300-page volume of Richard Zenith's translations of Portugal's great modernist poet, was one of the events of the year in poetry. Fortunately, Pessoa (1888-1935) was so prolific that only four short poems reappear in Zenith's new 100-pages-longer selection. To further prove himself no slouch, Zenith has written a new introductory essay for this book, explaining again Pessoa's partition of his poetry-writing consciousness into four distinct personae: Alberto Caeiro, a pastoral poet who died young; Caeiro's disparate disciples, stoic, classical Ricardo Reis and ebullient bisexual engineer and Whitman apostle, Alvaro de Campos; and the nostalgic Fernando Pessoa--himself, as Zenith denominates the persona that bears Pessoa's name. There were additional heteronyms, as Pessoa called his noms de plume, including some that wrote poems in English (which Pessoa learned as a boy in South Africa) and the bookkeeper who penned the prose work, The Book of Disquiet; Pessoa created biographies for them all. All four of Pessoa's principal Portuguese poet-personalities are obsessed with time, which apparently flows but is physically apprehensible only as an elusive point. Each wrote quite differently from the others, and as Zenith renders them, all wrote brilliantly. Particularly entertaining in this book are de Campos' lengthy odes, which are both moving tributes to and hilarious parodies of Whitman. Ray Olson.