the language of new media-lev manovich-9780262632553

THE LANGUAGE OF NEW MEDIA (En papel)

LEV MANOVICH , MIT PRESS, 2001
ISBN 9780262632553

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In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media work s create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media. ... Leer resumen completo

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Foreword Prologue: Vertov's Dataset Acknowledgments Introduction 2 1 What Is New Media? 18 How Media Became New 21 Principles of New Media 27 What New Media Is Not 49 2 The Interface 62 The Language of Cultural Interfaces 69 The Screen and the User 94 3 The Operations 116 Menus, Filters, Plug-Ins 123 Compositing 136 From Image Streams to Modular Media 136 The Resistance to Montage 141 Archeology of Compositing: Cinema 145 Archeology of Compositing: Video 149 Digital Compositing 152 Compositing and New Types of Montage 155 Teleaction 161 Representation Versus Communication 161 Telepresence: Illusion Versus Action 164 Image-Instruments 167 Telecommunication 168 Distance and Aura 170 4 The Illusions 176 Synthetic Realism and Its Discontents 184 Technology and Style in Cinema 185 Technology and Style in Computer Animation 188 The Icons of Mimesis 195 The Synthetic Image and Its Subject 199 Illusion, Narrative, and Interactivity 205 5 The Forms 212 The Database 218 Navigable Space 244 6 What Is Cinema? 286 Digital Cinema and the History of a Moving Image 293 The New Language of Cinema 309 Index 335

Datos del libro

  • Nº de páginas: 353 págs.
  • Editorial: MIT PRESS
  • Lengua: INGLÉS
  • Encuadernación: Tapa blanda
  • ISBN: 9780262632553
  • Año edicón: 2001
  • Plaza de edición: CAMBRIDGE
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Resumen del libro

In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

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