bauhaus weimar: design for the future-michael (ed.) siebenbrodt-9783775790314

BAUHAUS WEIMAR: DESIGN FOR THE FUTURE

 (En papel)

MICHAEL (ED.) SIEBENBRODT

, 2000
  • Nº de páginas: 296 págs.
  • Encuadernación: Tapa dura
  • Editorial: EDITORIAL GERD HATJE
  • Lengua: INGLÉS
  • ISBN: 9783775790314

 

Michael Siebenbrodt

"In April 1919 Walter Gropius founded the Bauhaus in Weimar, Germany. Until 1925, the year it moved to Dessau, this was the meeting-place for the wide spectrum of often contradicory ideas, utopias and experiments that formed the basis of the institution's renown. With more than 400 illustrations, this book illustrates the achivements of the Weimar Bauhaus*the first time they have been given such extensive coverage in a publication. The main focus is on the outstanding works by students from all workshops, from the studies in the famous introducory cours given by Johannes Itten to the design sketches that have become classics today. Another section is dedicated to Weimar's important Bauhaus collections, especially the world's only authorised collection on the Weimar Bauhaus at the Kunstsammlungen zu Weimar, which contains more than 8000 exhibits. Finally, the original ""Bauhaus locations"" in Weimar are brought to life, such as Henry van de Veldes' art school buildings and Walter Gropius's memorial to those who died in the Revolution of 1848. Thanks to the great wealth of material, some of which is published for the first time in this book, what emerges is a colorfull, pluralistic world that contradicts the common idea of one single Bauhaus."

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Foreword 6 (8) Rolf Bothe The Staatliches Bauhaus in Weimar-An Avant-Garde School of Design 1919--1925 8 (14) Michael Siebenbrodt Ideas, Projects, Realizations Elisabeth Reissinger Brigitte Reuter Michael Siebenbrodt Architecture 22 (28) Free Art 50 (24) Preliminary Course and Basic Artistic Training 74 (32) Weaving Workshop 106 (16) Metal Workshop 122 (16) Ceramics Workshop 138 (20) Cabinet-Making Workshop 158 (16) Wood and Stone Sculpture Workshop 174 (16) Mural Painting Workshop 190 (6) Stained Glass Workshop 196 (8) Bookbinding Workshop 204 (6) Printing Workshop 210 (18) Typography and Advertising 228 (28) Stage Workshop/Bauhaus Celebrations 256 (32) APPENDIX The Bauhaus Collection of the Kunstsammlungen Zu Weimar 272 (4) Michael Siebenbrodt The Records of the Staatliches Bauhauses Weimar and Other Archival Sources of Materials on the Bauhaus at the Thuringische Hauptstaatsarchiv Weimar 276 (3) Volker Wahl Bauhaus Materials at the Bauhaus-Universitat Weimar 279 (2) Klaus-Jurgen Winkler The Bauhaus Collection at the Stadtmuseum Weimar 281 (1) Siegfried Herrmann Materials on the Bauhaus at the Stadtarchiv Weimar 281 (1) Gitta

Datos del libro

  • Nº de páginas: 296 págs.
  • Editorial: EDITORIAL GERD HATJE
  • Lengua: INGLÉS
  • Encuadernación: Tapa dura
  • ISBN: 9783775790314
  • Año edición: 2000
  • Plaza de edición: BERLIN
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Resumen

 

Michael Siebenbrodt

"In April 1919 Walter Gropius founded the Bauhaus in Weimar, Germany. Until 1925, the year it moved to Dessau, this was the meeting-place for the wide spectrum of often contradicory ideas, utopias and experiments that formed the basis of the institution's renown. With more than 400 illustrations, this book illustrates the achivements of the Weimar Bauhaus*the first time they have been given such extensive coverage in a publication. The main focus is on the outstanding works by students from all workshops, from the studies in the famous introducory cours given by Johannes Itten to the design sketches that have become classics today. Another section is dedicated to Weimar's important Bauhaus collections, especially the world's only authorised collection on the Weimar Bauhaus at the Kunstsammlungen zu Weimar, which contains more than 8000 exhibits. Finally, the original ""Bauhaus locations"" in Weimar are brought to life, such as Henry van de Veldes' art school buildings and Walter Gropius's memorial to those who died in the Revolution of 1848. Thanks to the great wealth of material, some of which is published for the first time in this book, what emerges is a colorfull, pluralistic world that contradicts the common idea of one single Bauhaus."

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