Ben Westhoff ha investigado y publicado para The Guardian, The Wall Street Journal, Rolling Stone, Forbes, Los Angeles Times, NPR... Sus trabajos periodísticos orbitan entre la cultura, la pobreza y las drogas, y desde la publicación de La fiesta se acabó ha asesorado al gobierno de Estados Unidos en la crisis del fentanil. Con este libro entró en las listas de lo mejor del año de Kirkus, Buzzfeed y Daily Telegraph.
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¿Quién puede parar el avance de las drogas sintéticas? Nadie, porque la química va más rápido que la ley. Todo empieza bien, como siempre empieza lo que acaba mal. Un gobierno legaliza la producción
This intimate exploration of race and inequality in America tells the story of a journalists long-time relationship with his mentee, Jorell Cleveland, through the Big Brothers Big Sisters program and investigates Jorells tragic fatal shooting. In 2005, soon after Ben Westhoff moved to St. Louis, he joined the Big Brothers Big Sisters program and was paired with Jorell Cleveland. Ben was twenty-eight, a white college grad from an affluent family. Jorell was eight, one of nine children from a poor, African American family living in nearby Ferguson. But the two instantly connected. Ben and Jorell formed a bond stronger than nearly any other in their lives. When Ben met the woman whod become his wife, she observed that Ben and Jorell were "a package deal." They were brothers.In the summer of 2016, Jorell was shot at point blank range in broad daylight in the middle of the street, yet no one was charged in his death. Ben grappled with mourning Jorell, but also with a feeling of responsibility. As Jorells mentor, what could he have done differently? As a journalist, he had reported on gang life, interviewed crime kingpins, and even infiltrated drug labs in China. But now, he was investigating the life and death of someone he knew personally and examining what he did and did not know about his friend. Learning the truth about Jorell and the man who killed him required Ben to uncover a heartbreaking cycle of poverty, poor education, drug trafficking, and violence. Little Brother brilliantly combines a deeply personal history with a true-crime narrative that exposes the realities of life in communities like Ferguson all around the country.
La création dun genre sur fond de règlements de compte. Tout ce que vous avez toujours voulu savoir sur le rap West Coast.Fin des années 1980, Los Angeles. Tout commence avec une bande damis venue du