HENRY WILLIAMSON

With a new Introduction by Jeremy Gavron ''The supreme writer of the English countryside'' Christopher Somerville, Daily Telegraph In the wild there is no safety. The otter club Tarka grows up with his mother and sisters, learning to swim, catch fish and to fear the cry of the hunter and the flash of the metal trap. Soon he must fend for himself, travelling through rivers, woods, moors, ponds and out to sea, sometimes with the female otters White-tip and Greymuzzle, always on the run. Eventually, chased by a pack of hounds, he meets his nemesis, the fearsome dog Deadlock, and must fight for his life. Tarka the Otter depicts a fierce struggle for survival in the wild that also carries echoes of the author''s experiences of the First World War. The result of years spent observing otters in north Devon, it is a celebration of life, the eternal rhythms of nature and the English countryside.

The Wet Flanders Plain was first published in 1929 - also the year of, inter alia, Remarques All Quiet on the Western Front, Gravess Goodbye to All That, and Hemingways A Farewell to Arms. Henry Williamsons book stands alongside those works as a classic of the Great War. In 1928 Williamson revisited the battlefields of Flanders and Northern France in the company of a fellow veteran. He wanted to return to my old comrades... to the brown, the treeless, the flat and grave-set plain of Flanders - to the rolling, heat-miraged downlands of the Somme - for I am dead with them, and they live in me again. He hoped to rid himself of the wraiths of the war. Whether or not he succeeded, he produced an unforgettable testament.The Wet Flanders Plain emerges from the mass of War books as the most beautiful and the most terrible.Outlook

Ci sono libri che al di la della storia o del contenuto che narrano, lasciano un segno. Sono tanti i casi e lo sono in modi e tempi diversi. Molti di questi non hanno nemmeno un riferimento storico o generazionale, perche sono sempre attuali. Tarka la lontra e uno di questi. Grazie alla sua lettura, e possibile riconciliarsi con il mondo naturale, farsi rapire dalle infinite relazioni che esistono tra milioni di creature, vivere la complessita e la bellezza della vita selvatica. Per molti di noi sono stati libri formativi e continuano ad esserlo. Se poi tra quel noi, selezioniamo chi fin da giovane ha avuto unattrazione particolare per la lontra, lo si deve soprattutto ad autori come Henry Williamson e Gavin Maxwell, lautore dellAnello di acque lucenti e della Baia degli ontani.

A Fox under My Cloak (1954) was the fifth entry in Henry Williamsons fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It follows Phillip Maddison into the Great War, surviving in the face of terror, from the famous Christmas Truce of 1914 to the gas attacks of the Battle of Loos the following year. While home in England on sick leave Phillip obtains his commission into a fashionable regiment in which his social inadequacies make him the butt of his fellow officers scorn. Yet, alone among them, Phillip has tasted the bleak reality of life, and death, on the Western Front. Williamsons style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising. Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

Henry Williamson (1895-1977), nature writer and novelist, is perhaps best remembered today as a nature writer, the author of the much-loved classics Tarka the Otter and Salar the Salmon, although he wrote over fifty books during a long life, including the Flax of Dream tetralogy and his major work, the 15-volume novel sequence A Chronicle of Ancient Sunlight. What is not so well known is that during the late 1930s he became a broadcaster of some repute on the BBC. Spring Days in Devon collects twenty-two of his talks, broadcast on the wireless between December 1935 (his very first appearance in front of the microphone) and 1954. Subjects include reminiscences from his own inimitable viewpoint of the West Country and its flora and fauna; the significance in his life of the barn owl; four talks on the lives of English animals (otter, badger, stoat and red deer - the last, memorably, given from the studio as if it were a live outside broadcast); and the difficulties encountered on becoming a farmer in Norfolk, following his move there in 1937 to reclaim a derelict farm. As an Afterword, the history of the working relationship between the BBC and Henry Williamson is told in Henry Williamson and the BBC, by John Gregory.It is clear from his scripts that Williamson put as much care into the writing of these as he did into his books; they are of a high and immediate quality, and remain immensely readable today. All surviving scripts have been gathered into two volumes and published as Spring Days in Devon and its companion Pen and Plough, both now available as e-books.

Henry Williamson remains best known for his classic nature stories, Tarka the Otter and Salar the Salmon. The Daily Express helped to launch his literary career in the early 1920s, and also gave him much support during the latter half of the 1960s, which represented a late flowering of Williamsons long relationship with the Express. The 38 articles collected here for the first time were published in the Daily Express between 1966 and 1971. Subjects range from graphic descriptions of the battles of the Somme and Vimy Ridge, written on the fiftieth anniversaries of the battles, to essays on ecology and conservation in particular, in support of banning the hunting of otters, and a trilogy of essays on the occasion of a congress of the World Wildlife Fund held in London in 1970. The late Richard Richardson, a talented wildlife artist whom Williamson had known in Norfolk, was commissioned by the Express to illustrate several articles, and his attractive drawings are also reproduced here.

Henry Williamson remains best known for his nature stories set in North Devon,Tarka the Otter and Salar the Salmon. His long association with the Daily Express, which supported him from the outset of his literary career, actually began without his knowledge, when his father submitted to the newspaper the letter that the young Henry, then a private with the London Rifle Brigade, had written from the trenches, describing the famous 1914 Christmas Truce in which he took part. The entire text of the Expresss article is published here for the very first time. This is followed by some of Williamsons earliest published writings, from 1921 to 1935, with nature essays and sketches of village life in Georgeham. The book also includes some of Williamsons finest writing on the Great War, with the two series And This Was Ypres and The Last 100 Days, together with the moving I Believe in the Men Who Died. It finishes with some of his classic short stories, including Stumberleap (which the Express called The Finest Animal Story Ever Written), the mysterious Whatever Has Happened?, and The Heller. The book comprises 38 articles, together with accompanying illustrations from the Express, and other contemporary photographs of Georgeham. The revised e-book published in 2014 includes four further recently discovered articles by Williamson, written under the pseudonym of John Dandelion.

Henry Williamson (1895-1977), nature writer and novelist, is perhaps best remembered today as a nature writer, the author of the much-loved classics Tarka the Otter and Salar the Salmon, although he wrote over fifty books during a long life, including the Flax of Dream tetralogy and his major work, the 15-volume novel sequence A Chronicle of Ancient Sunlight.The first three of the novels comprising The Flax of Dream were among his very early works. The Dream of Fair Women, the third in the series, was first published in 1924. The Dream of Fair Women is set in Folkestone in the immediate post-First World War period of 1919, where Williamson, then still a soldier, was stationed. It tells the story of the love affair of the hero Willie Maddison (essentially Williamson himself) with the very desirable Eve Fairfax, the young wife of an army officer living in Folkestone. There are vividly written scenes of the town and its inhabitants during the summer of 1919, and in particular the Peace Day celebrations which took place on 19 July, culminating in a grand ball.This era and place are also captured in two books in the Chronicle of Ancient Sunlight series: A Test to Destruction (1960) and The Innocent Moon (1961).Recreating a Lost World explores the real Folkestone and its personalities at that time, identifying the real-life models for fictional characters and showing how Henry Williamson translated place and people, and his own experiences, into his novels. The text is by Anne Williamson, with quotations from The Dream of Fair Women. It is illustrated with eleven unique photographs from the Henry Williamson Estates literary archive and other illustrations.

In early 1921 the young Henry Williamson, traumatised by his experiences in the First World War, moved from London to a tiny cottage in North Devon, seeking solitude and renewal. Here he began to make his name as a writer with nature stories and sketches about rural life and his early novels; and here he wrote the Hawthornden Prize-winning Tarka the Otter which remains the book for which he is probably best known today.This short anthology serves as an introduction to Henry Williamsons early writings about North Devon, which served to establish his reputation as perhaps the foremost British nature writer of the twentieth century.There are extracts from Williamsons classic novels Tarka the Otter and Salar the Salmon, as well as from less well-known works including The Village Book, The Labouring Life, The Lone Swallows, The Pathway, The Children of Shallowford and On Foot in Devon. The extracts have been selected and edited by Tony Evans, who has also written accompanying explanatory notes, and Anne Williamson contributes a short biography which focuses on Williamsons life in North Devon up to 1937, when he left to farm in Norfolk.The selections are illustrated by contemporary photographs sourced from both local collections and Henry Williamsons own albums, together with two maps of North Devon and Georgeham (the latter drawn by Williamson in 1932), the area today known as Tarka Country.

Henry Williamson remains best known for his classic nature stories, Tarka the Otter and Salar the Salmon. Less well known is that for a twenty-year period Williamson was a contributor to the prestigious American literary magazine Atlantic Monthly, with contributions including examples of his nature sketches, short stories (including perhaps his best, A Crown of Life), and tales of his later experiences when farming in North Norfolk during the late 1930s and the early years of the Second World War. Central to the collection is Salar the Salmon, a condensed version of Williamsons best-selling novel which successfully preserves, in the Atlantics phrase, the pulse and vitality of the original. Now collected for the first time, this makes a perfect anthology of Henry Williamsons work.

Henry Williamson (1895-1977), nature writer and novelist, remains best known for his nature stories set in North Devon, the much-loved classics Tarka the Otter and Salar the Salmon. Between 1937 and 1945 he farmed 243 acres of difficult land in North Norfolk, bringing a near-derelict farm to an A grade classification during the years of the Second World War. Throughout those years he was writing newspaper articles, to help finance the farm. The 82 essays contained in A Breath of Country Air originally published in two volumes in 1990-91, now gathered in a single e-book bring together Williamsons weekly pieces in the London Evening Standard, written during 1944 and 1945. They are broadly concerned with day-to-day happenings on the farm, featuring particularly his two young sons Rikky and Robbie, together with other reflections on country life. Further pieces poignantly describe the end of Williamsons farming dream, with the sale of the farm and auction of implements and the familys move 60 miles south to Botesdale, in Suffolk. The book concludes with a 15-part serial, Quest (originally published in Womens Illustrated magazine in 1946) which records the period immediately after the move. Richard and Robert Williamson Rikky and Robbie have written the Forewords; Richard remembers these stories as a video of my beautiful years, faithfully recorded . . . I can with the greatest clarity smell the new ploughed fields, hear the owls, and see the little grey Ferguson on those far away fields of the Norfolk farm; while for Robert, after the move to Botesdale, being away at school, the holidays were greatly enjoyed, and Henry has captured the mood of these holidays, now that the strain of the farm had gone.

Whether the reader is an angler, naturalist, country lover or simply receptive to Williamsons limpid prose, A Clear Water Stream embraces all these passions.The Williamson family moved to Shallowford on the River Bray in North Devon, England, in 1929. With his typical zest, the author set about revitalizing the river, stocking it with both salmon and trout, and building low weirs, thus creating new pools and improving the flow of water.Mistakes were made, with sleepless nights spent worrying over poachers, predators, and upsetting the natural balance. Williamsons error was to apply a chalkstream ethic to the Bray, and upland, acidic water. His introduction of water-crowfoot, a relatively uncommon plant in West Country upland streams at that time, was the cause of much consternation among local fishermen.There are stories of entertaining sojourns spent fishing in the Hebrides, Florida and Canada, and joyous moments with his children, but throughout, the thread - which is the stream - enchants the reader to the finale.Henry Williamsons impassioned observations were later to become the genesis for his classic work, Salar the Salmon.A Clear Water Stream is a delightful tale, interspersed with the authors deepest emotions. Henry Williamsons message, nearly eighty years later, stands as a prophetic work of genius. The River Bray today runs clear and vibrant. Salmon and sea trout still ascent to the foot of Exmoor, and the diminutive but beautiful wild trout continue to dimple the rivers surface.

Written originally as a way of paying off unexpectedly high bills during his early years of farming in Norfolk There was one thing for it: to pay off the debts by writing, he wrote in his farming classic The Story of a Norfolk Farm (1941) these beautifully written articles by Henry Williamson, set in both Norfolk and Devon, are counterpointed and given immediacy by the inclusion of the evenings headlines after each article, depicting the deteriorating international situation as the Second World War begins. Williamson had taken over the derelict farm in 1937, at a time when the farming industry was seriously depressed; by the time that war was declared, the farm was given an A grade.

Henry Williamson (1895-1977), nature writer and novelist, remains best known for his nature stories set in North Devon, and particularly the much-loved classics Tarka the Otter and Salar the Salmon. Between 1951 and 1969 he published his great work, the fifteen-volume novel sequence A Chronicle of Ancient Sunlight, the story of Phillip Maddison. While he was writing these he was also continuing to write short pieces for newspapers and magazines. From a Country Hilltop is a collection of 58 such essays written between 1958 and 1964, which were published in the Co-operative Societys Home Magazine and, in its Out of Doors series, the Sunday Times. The country hilltop was his haven, the field at Oxs Cross in North Devon that he had bought after the success of Tarka the Otter, and where he had built his writing hut. These short essays personal musings on life, his children, North Devon (now known as Tarka Country) and other subjects show HWs descriptive powers at their best. Nowhere is this shown better than in The Last Summer, a longer piece that is an evocative personal re-creation of the last golden summer of 1914 before the outbreak of the First World War and life changed forever; it was published in 1964 in the Sunday Times Magazine to commemorate the fiftieth anniversary of the beginning of the war.

Henry Williamson (1895-1977), nature writer and novelist, remains best known for his nature stories set in North Devon, the much-loved classics Tarka the Otter and Salar the Salmon. Between 1937 and 1945 he farmed 243 acres of difficult land in North Norfolk, bringing a near-derelict farm to an A grade classification during the years of the Second World War. Throughout those years he was writing newspaper articles, to help finance the farm, and Green Fields and Pavements is a collection of the articles that he contributed to the Eastern Daily Press between 1941 and 1944. Williamsons eldest son, Bill Williamson, who worked on the farm throughout the war years from the age of thirteen, has written the Foreword, and the pen and ink drawings are by Mick Loates.Nearly seventy years on, these beautifully written pieces make fascinating reading. Beginning during the dark days of the war, prior to the turning point of El Alamein, and ending before D-Day, Henry Williamson presents a many-faceted, sometimes humorous, picture of life as it was on the Home Front during those years: of agriculture at a time when only the large farms could afford the new American combine harvesters, and the small farmer built his stacks and waited for the threshing machine; of literature and art, with reviews of contemporary books; of the countryside and its wildlife; and the poignant stories of Cheepy, a tiny chicken that mothered a brood of guinea fowl chicks, and Hooly, the young tawny owl adopted by the Williamson family.The war is an ever-present background, with references to the Eighth Army in North Africa, soldiers training in the fields, and the thunderous bomber streams of the RAF at night and the US Eighth Air Force filling the East Anglian skies by day.Country Life magazines reviewer commented: This is a bedside book of high quality; delightfully written and well illustrated, full of fascinating detail and description. I recommend it warmly.

Henry Williamson remains best known for his nature stories, Tarka the Otter and Salar the Salmon. This collection comprises a selection of Williamsons work from a number of sources, including book introductions; contributions to anthologies and magazines; a series of articles in the Evening Standard from which the collection takes its title; and two significant essays. The theme is one of people, places and events which had a far-reaching effect on Henrys life his schooldays; the Christmas truce on the Western Front in 1914, at which he was present; Richard Jefferies; Francis Thompson; Williamsons farm in Norfolk, and North Devon. The print book was dedicated to Fr Brocard Sewell, a friend and stalwart champion of Williamsons writing, who died on 2 April 2000. In tribute to Fr Sewell, his essay Henry Williamson: Old Soldier, first printed in John OLondons Weekly in 1961, is also included.

This is a collection of important essays by Henry Williamson on books and writers, first published in 1994, and now expanded. The first piece, Threnos for T. E. Lawrence, is in its middle section a revised version of much of Genius of Friendship (1941). However the beginning and the ending are different, relating to the circumstances of 1954 when the essay appeared in The European, the distinguished periodical. Richard Aldington had let Williamson know by his letters that after years of research and reflection, he had come to regard Lawrence as a deeply flawed and mendacious character, very different from the popular conception of the heroic Lawrence of Arabia. Williamson, on the contrary, through Lawrences books, letters and two personal meetings with him, held him in the highest regard. He wanted to restate this before the publication of Aldingtons book, and hence this essay, which begins with an account of his visit in 1949, with Christine, his second wife, to Aldington in France.Other contents are: Some Nature Writers and Civilization, the prestigious Wedmore Lecture that Williamson gave to the Royal Society of Literature in 1959, considering the authors Richard Jefferies and W. H. Hudson; In Darkest England, the presidential address that Williamson gave to the Francis Thompson Society in 1967, in which he describes his discovery of Thompsons poetry in the crater-zones of the Western Front; three short pieces on Richard Aldington, Roy Campbell and Arthur Machen; and a collection of Williamsons prefaces and introductions to books of authors whom he admired (Douglas Bells A Soldiers Diary of the Great War; John Heygates Decent Fellows; H. A. Manhoods Little Peter the Great; Izaak Waltons The Compleat Angler; V. M. Yeatess Winged Victory; James Farrars The Unreturning Spring; Walter Robsons Letters from a Soldier; and the 1973 reprint of The Wipers Times).Also included are Williamsons illuminating forewords to his own books The Pathway and The Labouring Life, which were only printed in the scarce limited editions. The final piece is not by Williamson but is of particular interest, being the text of T. E. Lawrences long letter to Edward Garnett (who forwarded it to Williamson), in which he gives a detailed and entertaining criticism of Tarka the Otter, then about to be published. From this letter arose the correspondence and friendship between these two men.

Henry Williamson remains best known for his nature stories, Tarka the Otter and Salar the Salmon. A serving soldier throughout the First World War, when he was demobilised in 1919 Williamson began to learn the craft of writing, and for a brief period was a tyro journalist with the Weekly Dispatch, owned by Lord Northcliffe. The articles collected here represent the very earliest published writings of Henry Williamson, appearing in the Weekly Dispatch between July 1920 and January 1921 during his short-lived Fleet Street career. They include The Country Week (short nature sketches) and On the Road (a weekly column on light cars that offered occasionally somewhat dubious advice!). Williamsons fictionalised account of this period in his life appeared in The Innocent Moon (1961). First published as The Weekly Dispatch: Contributions by Henry Williamson (1920-21), the e-book has been revised, with a new introduction by John Gregory, and retitled On the Road.

The Notebook of a Nature-lover recalls Devon as it was some eighty years ago. This enchanting anthology was originally written as a regular column for the Sunday Referee, and reflects Henry Williamsons unique ability to communicate his understanding of and his passion for the English countryside, whether it be observing salmon and sea-trout leaping in the River Bray (his classic tale of Salar the Salmon was written during this same period), watching partridges in his field and a spider in its web, walking on Dartmoor and Exmoor, or tales of his young children exploring the natural world around them.Henry Williamson (1895-1977) is best remembered today for his much-loved Tarka the Otter and his other nature stories The Old Stag, The Lone Swallows and The Peregrines Saga among them. A farmer during the Second World War, he recounted his experiences in The Story of a Norfolk Farm and in four collections of his journalism collected and published posthumously by the Henry Williamson Society (available as e-books): Chronicles of a Norfolk Farmer (1937-1939), Heart of England (1939-1941), Green Fields and Pavements (1941-1944) and A Breath of Country Air (1944-1946). After the war he returned to North Devon where, between 1951 an 1969, he wrote his major work, the semi-autobiographical 15-volume novel sequence A Chronicle of Ancient Sunlight.