Olaf Stapledon

Entre la cosmogonía y la fábula científica, ésta es, en palabras de Borges, una «novela prodigiosa»Una noche de amargura y desengaño, un hombre contempla el firmamento desde lo alto de una colina. De

La novela clásica del superhombre, y una discusión apasionada de los problemas del mundo moderno. Precursora de Hacedor de estrellas, la vasta historia del cosmos y novela seminal de la ciencia ficción moderna, escrita en 1937, Juan Raro (1936) es una discusión apasionada de los problemas del hombre moderno, sus ideas, sus costumbres, y sus absurdos prejuicios.

Sirio es la historia de un perro, un superovejero de inteligencia similar a la del hombre. Durante los años entre 1937 y 1944, Stapledon escribió su más importante texto de filosofía (Filosofía y vida), y la vasta historia del cosmos titulada Hacedor de estrellas. Asistió horrorizado al estallido de la segunda guerra mundial, y Sirio resume todas las esperanzas, decepciones y reflexiones del autor en esa época. La obra de Stapledon ha influido en Vonnegut, Clarke, LeGuin, Lem y muchos otros maestros de la ciencia ficción contemporánea. Encuadernación: Rústica.

Sirio es la historia de un perro, un superovejero de inteligencia similar a la del hombre. Durante los años entre 1937 y 1944, Stapledon escribió su más importante texto de filosofía (Filosofía y vida), y la vasta historia del cosmos titulada Hacedor de estrellas. Asistio horrorizado al estallido de la segunda guerra mundial, y Sirio resume todas las esperanzas, decepciones y reflexiones del autor en esa epoca. La obra de Stapledon ha influido en Vonnegut, Clarke, LeGuin, Lem y muchos otros maestros de la ciencia ficcion contemporanea. Encuadernacion: Tapa dura con sobrecubierta.

Sam Moskowitz ha dicho de este libro que "si hay una obra de imaginación que pueda ser descrita como un tour de force, esa obra es Hacedor de estrellas. Stapledon cuenta aquí toda la historia del universo desde su creacion hasta su fin. Los filosofos de la historia han investigado el pasado del hombre para encontrar respuesta al enigma de la vida. Stapledon lanza una sonda visionaria al futuro en busca de las mismas respuestas."

Una primera novela tan exitosa como La última y la primera humanidad exigió una secuela y Stapledon se comprometió en ella con Los Últimos Hombres en Londres, libro publicado en 1932 por Methuen. Este tratado de ficcion filosofica no puede ser apreciado verdaderamente sin una lectura previa de La ultima y la primera humanidad. El titulo en si es completamente engañoso, ya que no se refiere a los ultimos hombres vivos en Londres despues de un desastre, como podria esperarse, sino a una visita mental de uno de los Ultimos Hombres que perecieron en Neptuno en el primer libro de Stapledon que retorna a nuestra era y sus reacciones ante lo que ve.

En un futuro, el Séptimo Hombre, que vive en Neptuno, se parece muy poco a la humanidad actual, pero se siente heredero y guardián de sus logros y fracasos, que va desgranando.

"No book before or since has ever had such an impact upon my imagination," declared "2001 "author Arthur C. Clarke of this masterpiece of science fiction. An imaginative, ambitious history of humanity''s future that spans billions of years, this 1930 epic abounds in prescient speculations. A must-read for scholars of the genre.

The narrator of Nebula Maker stands on a hill and sees a vision that leads him to the birth of the universe. He witnesses the creation of the nebulae and the formation of galactic communities as well as the flowering of the personalities of the nebulae. The establishment of pacific and militaristic camps and their relationship leads to events of cosmic strife, not unlike the history of our world in the twentieth century.

Par une nuit étoilée, au sommet d’une colline, durant la Seconde Guerre mondiale, un Anglais se prépare à vivre le voyage le plus extraordinaire jamais entrepris par un homme.Troublé par les remous d

An introductory note seems called for to explain to the reader the origin of the following strange document, which I have received from a friend with a view to publication. The author has given it the form of a letter to myself, and he signs himself with his nickname, "Cass," which is an abbreviation of Cassandra. I have seldom met Cass since we were undergraduates together at Oxford before the war of 1914. Even in those days he was addicted to lurid forebodings, hence his nickname.My last meeting with him was in one of the great London blitzes of 1941, when he reminded me that he had long ago prophesied the end of civilization in world-wide fire. The Battle of London, he affirmed, was the beginning of the long-drawn-out disaster.Cass will not, I am sure, mind my saying that he always seemed to us a bit crazy: but he certainly had a queer knack of prophesy, and though we thought him sometimes curiously unable to understand the springs of his own behaviour, he had a remarkable gift of insight into the minds of others. This enabled him to help some of us to straighten out our tangles, and I for one owe him a debt of deep gratitude. He saw me heading for a most disastrous love affair, and by magic (no other word seems adequate) he opened my eyes to the folly of it. It is for this reason that I feel bound to carry out his request to publish the following statement. I cannot myself vouch for its truth. Cass knows very well that I am an inveterate sceptic about all his fantastic ideas. It was on this account that he invented my nickname. "Thos," which most of my Oxford friends adopted. "Thos," of course, is an abbreviation for Thomas, and refers to the "doubting Thomas" of the New Testament.Cass, I feel confident, is sufficiently detached and sane to realize that what is veridical for him may be sheer extravagance for others, who have no direct experience by which to judge his claims. But if I refrain from believing, I also refrain from disbelieving. Too often in the past I have known his wild prophesies come true.The head of the following bulky letter bears the address of a well-known mental home."THOS."

John Wainwright is a freak, a human mutation with an extraordinary intelligence which is both awesome and frightening to behold. Ordinary humans are mere playthings to him. And Odd John has a plan - to create a new order on Earth, a new supernormal species. But the world is not ready for such a change ...

One moment a man sits on a suburban hill, gazing curiously at the stars. The next, he is whirling through the firmament, and perhaps the most remarkable of all science fiction journeys has begun.Even Stapledons other great work, LAST AND FIRST MEN, pales in ambition next to STAR MAKER, which presents nothing less than an entire imagined history of life in the universe, encompassing billions of years.

A bomber is killed in battle along with all of his companions; but something wakes in his dying, which is first a spirit bomber-crew, then the spirit of all those killed in battle, then the spirit of

Four Encounters is an unfinished work by the writer and philosopher Olaf Stapledon, written in the late 1940s but only published 26 years after the authors death. It takes place in contemporary (post World War II) Britain, and describes four meetings with various characters who are named for the spiritual quality that best defines them: a Christian, a scientist, a mystic and a revolutionary. There were originally to have been ten encounters, but Stapledon died before the project was completed.

Sirius is Thomas Trelones great experiment - a huge, handsome dog with the brain and intelligence of a human being. Raised and educated in Trelones own family alongside Plaxy, his youngest daughter, Sirius is a truly remarkable and gifted creature. His relationship with the Trelones, particularly with Plaxy, is deep and close, and his inquiring mind ranges across the spectrum of human knowledge and experience. But Sirius isnt human and the conflicts and inner turmoil that torture him cannot be resolved ...

One of the most extraordinary, imaginative and ambitious novels of the century: a history of the evolution of humankind over the next 2 billion years.Among all science fiction writers Olaf Stapledon stands alone for the sheer scope and ambition of his work. First published in 1930, Last and First Men is full of pioneering speculations about evolution, terraforming, genetic engineering and many other subjects.

Stapledon projects two separate futures for humanity, depending not on the outcome of World War II but on the failure or success of a future "Tibetan Renaissance" to influence the temper and ideology of the militaristic empires that threaten it.