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A Slow Burning Fire
The Rise of the New Art Practice in Yugoslavia
Por
MARKO ILIC
Sinopsis
Yugoslavias diverse and interconnected art scenes from the 1960s to the 1980s, linked to the countrys experience with socialist self-management.
In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This eras conceptual and performance art--known as Yugoslavias New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramović, Sanja Iveković, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilić offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavias experience with socialist self-management and the political upheavals of the 1980s.
In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This eras conceptual and performance art--known as Yugoslavias New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramović, Sanja Iveković, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilić offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavias experience with socialist self-management and the political upheavals of the 1980s.
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Ficha Técnica
Editorial: The Mit Press
ISBN: 9780262361415
Idioma: Inglés
Fecha de lanzamiento: 16/02/2021
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