Sinopsis
An entirely new perspective on Churchill and his paintings told in his own words and including material never before published, edited and introduced by David Cannadine.
Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs.
In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchills life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchills writings and speeches on art, not only Painting as a Pastime, but his addresses to the Royal Academy, his reviews of two of the Academys summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchills contemporaries: Augustus Johns hitherto unpublished introduction to the Royal Academy exhibition of Churchills paintings in 1959, and essays and reviews by Churchills acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton.
The book is lavishly illustrated with reproductions of many of Churchills paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.
Across almost 50 years, Winston Churchill produced more than 500 paintings. His subjects included his family homes at Blenheim and Chartwell, evocative coastal scenes on the French Riviera, and many sun-drenched depictions of Marrakesh in Morocco, as well as still life pictures and an extraordinarily revealing self-portrait, painted during a particularly troubled time in his life. In war and peace, Churchill came to enjoy painting as his primary means of relaxation from the strain of public affairs.
In his introduction to Churchill: The Statesman as Artist, David Cannadine provides the most important account yet of Churchills life in art, which was not just a private hobby, but also, from 1945 onwards, an essential element of his public fame. The first part of this book brings together for the first time all of Churchills writings and speeches on art, not only Painting as a Pastime, but his addresses to the Royal Academy, his reviews of two of the Academys summer exhibitions, and an important speech he delivered about art and freedom in 1937.
The second part of the book provides previously uncollected critical accounts of his work by some of Churchills contemporaries: Augustus Johns hitherto unpublished introduction to the Royal Academy exhibition of Churchills paintings in 1959, and essays and reviews by Churchills acquaintances Sir John Rothenstein, Professor Thomas Bodkin and the art critic Eric Newton.
The book is lavishly illustrated with reproductions of many of Churchills paintings, some of them appearing for the first time. Here is Churchill the artist more fully revealed than ever before.
Mario Vaquerizo
El cardadismo ilustrado
Filosofía para sobrevivir a las caídas sin despeinarte
La vida casi nunca avisa. Un día te para en seco y una simple caída te recuerda lo vulnerables que somos.
En su libro más íntimo y personal, Mario Vaquerizo, uno de los personajes más polifacéticos, queridos y también criticados de nuestro país.
Léelo en cualquier dispositivo
Ficha Técnica
Editorial: Bloomsbury Continuum
ISBN: 9781472945228
Idioma: Inglés
Fecha de lanzamiento: 06/09/2018
Especificaciones del producto
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