eBooks de Películas, página 14 de 65

In this delightfully pedantic deep dive, we journey through the most baffling, boring, bonkers, and downright infamous episodes in Doctor Whos sixdecade history. From rubber-suited monsters that never shouldve seen the light of day to plots that seem to have regenerated without their scripts, this book celebrates the glorious chaos of a series thats survived everything including its own worst ideas. So grab yourself a bowl of custard and vegan fish fingers and get ready for an intergalactic trawl through the worst of Doctor Who...

Filmografia completa da atriz estadunidense Lillian Gish produzidos a partir do cinema não sonorizado.

Prise de vues, montage, cadre, mouvements de caméra, raccords, transitions et effets visuels constituent la grammaire du cinéma. Moyens d’expression du réalisateur, ils lui permettent de raconter une

Quel est l’apport méthodologique des théories critiques, essentiellement défendues par Walter Benjamin et Siegfried Kracauer, en vue de l’écriture de l’histoire du cinéma et de l’analyse de film ? Ce

Gangster tatoué suivant son propre code d’honneur, flic infiltré chez les triades à la recherche de son identité, policier incorruptible adepte des armes à feu et du kung-fu, tueuse professionnelle a

Le 1er juin 2026, Marilyn Monroe aurait eu 100 ans. Les éditions Seghers proposent à cette occasion la traduction inédite dun des ouvrages les plus intimes et justes jamais écrits sur la star.Reno, N

Si lHistoire du ciné vous était contée ?De la Chronophotographie au cinéma en relief, dAgnès Varda à Jordan Peele, en passant par le Festival de Cannes, Hollywood, Walt Disney ou Alfred Hitchcock, dé

La mort de Claude Lanzmann en 2018 a-t-elle changé notre manière de voir et de comprendre Shoah ? Depuis sa sortie en salles en 1985, ce « film-monument » est devenu une oeuvre incontournable au poin

“À ce moment-là, le metteur en scène était maître chez lui. Il faisait ce qu’il voulait. Alors il était comme un homme dans un petit bateau à rames. Il conduisait le bateau où il voulait. Ça ne coûta

“À ce moment-là, le metteur en scène était maître chez lui. Il faisait ce qu’il voulait. Alors il était comme un homme dans un petit bateau à rames. Il conduisait le bateau où il voulait. Ça ne coûta

Bob Dylan as Filmmaker, opens exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Documenta short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylans remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression.The book also provides an essential survey of Dylans most recent movie projects, including those by other directors, in which Dylans influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author": in Martin Scorseses Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Harels haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangolds A Complete Unknown (2024), the Timothee Chalamet-led biopic shaped in part by Dylans behind-the-scenes "script approval."

Clair et accessible, ce manuel s’adresse aux apprentis scénaristes souhaitant apprivoiser l’art exigeant du dialogue au cinéma. À travers lexploration des différentes formes et fonctions du dialogue,

Quelles sont les conditions esthétiques, matérielles et idéelles qui rendent possibles les agencements sonores du cinéma contemporain ? Depuis la fin des années 1970, le raffinement des outils de manipulation du son, limportance grandissante du concepteur sonore et le nouvel espace de cohabitation des sons ont transforme la creation et lecoute du son au cinema. Ces transformations revelent un nouveau paradigme : le mixage sest graduellement impose comme le geste createur qui rend compte de la sensibilite contemporaine. Ce livre etudie les effets de la pensee du mixage (qui procede par resonance, simultaneite, dosage et modulation) sur notre ecoute et notre comprehension de lexperience cinematographique. A laide de paroles de concepteurs sonores (Beaugrand, Murch, Thom) et de compositeurs (Fano, Schaeffer, Varese, Westerkamp), de textes theoriques sur le son filmique (Cardinal, Campan, Chion), de documentaires sur des musiciens improvisateurs (Frith, Glennie, Lussier), de films de fiction a la dimension sonore affirmee (Denis, Van Sant), de textes philosophiques sur la perception (Leibniz, James, Szendy), danalyses du dispositif sonore cinematographique (Altman, Kerins, Kracauer), il rend audibles des tensions, des recurrences, des agencements, des problemes actuels et plus anciens qui orientent lecoute du theoricien, du createur et du spectateur. Il se donne pour objectif de modifier la façon dont on ecoute, cree et pense le son au cinema en interrogeant la dimension sonore de la perception, de lespace, de laction et de la pensee.

Neste livro você vai ter a prova de que cinema é um dos melhores lugares para você combinar diversão e conhecimento. Você já se pegou vendo um filme sobre um momento histórico sem entender exatamente

What really happened behind the cameras of your favorite comedy shows? This collection pulls back the curtain on the creative chaos, unexpected moments, and untold stories that shaped some of televisions most iconic comedies.From writers room battles and last-minute script changes to on-set improvisation and career-defining decisions, these stories reveal the human drama behind the laughter. Discover how classic episodes almost didnt happen, which jokes caused controversy before they aired, the creative tensions that drove innovation, and the accidents that became legendary moments.Through interviews, firsthand accounts, and carefully researched narratives, youll see how shows like SNL, Seinfeld, and The Onion navigated network pressures, cast dynamics, and the constant challenge of staying funny week after week. These arent sanitized press releasestheyre the real stories of risk-taking, failure, triumph, and the relentless pursuit of the perfect joke.Perfect for comedy fans who want to understand what it really takes to create groundbreaking television, aspiring writers and performers seeking insight into the industry, and anyone curious about the messy, fascinating process of making people laugh for a living.This is the comedy history you didnt see on screen.

Como um bordado de barafunda, onde os fios se entrelaçam, o livro "Cinema Negro no Feminino: afeto e pertencimento além das telas" reúne artigos científicos, ensaios e entrevistas de pesquisadoras, cineastas e profissionais do audiovisual, que sob uma perspectiva interseccional oferecem subsidios teoricos, metodologicos e conceituais para a analise das trajetorias e poeticas de cineastas negras.Nas tramas do audiovisual e da produço de conhecimento, essa coletanea reafirma a pluralidade, a abundancia e a inovaço dos cinemas negros no feminino. As organizadoras nos convidam a compreender o cinema como territorio de resistencia e fabulaço, onde se bordam afetos, pertencimentos e futuros possiveis com linhas de coragem, sensibilidade e invenço. Cada texto e tambem um gesto de memoria e cuidado, um fio que costura saberes e praticas na luta por outras formas de ver e de viver. Porque entre o gesto e a imagem, entre o pensamento e o corpo, pulsa a vitalidade dos mundos que essas mulheres criam.

Miklós Rózsa, vencedor de três Oscars, foi um dos compositores mais influentes da Era de Ouro de Hollywood. Nascido na Hungria (1907) e com formação em Composição pelo Conservatório de Leipzig, Alema

Um dicionário cinematográfico bastante abrangente com inclusão outros elementos que de alguma forma esteja associado ao cinema.

A poética da dor: narrativas trágicas no cinema de Pedro Costa analisa as possibilidades do trágico no cinema contemporâneo, repensando as fronteiras entre a tragédia e o trágico, que, embora em algu

Michael J. Fox, Patrick Swayze, River Phoenix, Edward Furlong, Jake Lloyd, Maria Schneider, Lindsay Lohan, Gary Coleman, Carrie Fisher, Matthew Perry : 10 histoires tragiques de stars qui révèlent la