ALBERT MURRAY

Rediscover the most important book on black-white relationships in America in a special 50th anniversary edition introduced by Henry Louis Gates, Jr. (Walker Percy) The United States is in actuality not a nation of black people and white people. It is a nation of multicolored people . . . Any fool can see that the white people are not really white, and that black people are not black. They are all interrelated one way or another. These words, written by Albert Murray at the height of the Black Power movement, cut against the grain of their moment, and announced the arrival of a major new force in American letters. In his 1970 classic The Omni-Americans, Murray took aim at protest writers and social scientists who accentuated the pathology of race in American life. Against narratives of marginalization and victimhood, Murray argued that black art and culture, particularly jazz and blues, stand at the very headwaters of the American mainstream, and that much of what is best in American art embodies the blues-hero traditiona heritage of grace, wit, and inspired improvisation in the face of adversity. Reviewing The Omni-Americans in 1970, Walker Percy called it the most important book on black-white relationships . . . indeed on American culture . . . published in this generation. As Henry Louis Gates, Jr. makes clear in his introduction, Murrays singular poetic voice, impassioned argumentation, and pluralistic vision have only become more urgently needed today.

By our premier writer about jazz and the blues...and a fictional tale spinner in the grand Southern tradition (Washington Post Book World), The Spyglass Tree is a deeply affecting novel of elegant, lyrical reminiscence and profound sophistication about a young black mans advent into the world of academiaan imaginary Alabama collegein the 1930s.Admist the excitement of the world of ideas and adventures with new friends, Scooter sallies into the territory of the blues, where recollection becomes legend. Here he learns to deal with the vicissitudes of lifethe complexities of family ties and camaraderie, his sexuality, pride of excellence in school, the darker realities of history and human passionthrough confrontation and improvisation, and with style and courage.[The Spyglass Tree] strikes a perfect balance between the black folk tradition and Faulknerian rumination....One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake...with level-headed clarity and honesty.The New York Times Book Review

In this visionary book, Murray takes an audacious new look at black music and, in the process, succeeds in changing the way one reads literature. Murrays subject is the previously unacknowledged kinship between fiction and the blues. Both, he argues, are virtuoso performances that impart information, wisdom, and moral guidance to their audiences; both place a high value on improvisation; and both fiction and the blues create a delicate balance between the holy and the obscene, essential human values and cosmic absurdity. Encompassing artists from Ernest Hemingway to Duke Ellington, and from Thomas Mann to Richard Wright, The Hero and the Blues pays homage to a new black aesthetic.

The Magic Keys winningly evokes the coming to maturity of one of the great characters in contemporary American literature: Scooter, the central protagonist of Albert Murray s highly acclaimed autobiographical novels Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots.Growing up brilliant and curious in Alabama, Scooter was told he was destined for greatness. Now newly married and a graduate student in humanities at New York University, he goes about discovering just what he is destined to be great at. Anchored by Eunice, his Mrs. Me, Scooter makes the rounds of Manhattan s libraries, jazz hangouts, galleries, skyscrapers, and endlessly fascinating streets, meeting the people who will help him find his way: dapper Taft Edison, who is setting their down-home dialect onto the pages of his novel-in-progress; Joe States, a drummer who brings old expectations to Scooters new life; and Jewel Templeton, no longer his girl but still a believer. When his budding career takes him back to Alabama, Scooter discovers both the promise of everyday bliss and intimations of adventures to come.In his inimitably musical, ardent prose, Murray captures the joyful rhythms of youth and the pulse of life at the moment when everything seems possible, in an exhilarating, tender, and masterfully crafted novel.

The break-out novel by an unrecognized master--"a fictional tale spinner in the grand Southern tradition" (Washington Post Book World). Told from the point of view of a young Alabama college graduate in the 1920s, this brilliant novel recounts the exploits of a legendary jazz composer and his band on a tour that becomes a heroic journey "equivalent to the seven league strides of heroes in rocking chair story times."

The highly acclaimed novelist and biographer Albert Murray tells his classic memoir of growing up in Alabama during the 1920s and 1930s in South to a Very Old Place. Intermingling remembrances of youth with engaging conversation, African-American folklore, and astute cultural criticism, it is at once an intimate personal journey and an incisive social history, informed by "the poets language, the novelists sensibility, the essayists clarity, the jazzmans imagination, the gospel singers depth of feeling" (The New Yorker)."His perceptions are firmly based in the blues idiom, and it is black music no less than literary criticism and historical analysis that gives his work its authenticity, its emotional vigor and its tenacious hold on the intellect...[It] destroys some fashionable socio-political interpretations of growing up black."--Toni Morrison, The New York Times Book Review

Murray gives readers the redefined essence of his lifetime meditation on the blues as this musical style informs American life. Here are incisive essays on writing, music, and art that go beyond the social-science fiction of Negrohood to describe in no uncertain terms what it means to be American.

This absorbing collection of letters spans a decade in the lifelong friendship of two remarkable writers who engaged the subjects of literature, race, and identity with deep clarity and passion.The correspondence begins in 1950 when Ellison is living in New York City, hard at work on his enduring masterpiece, Invisible Man, and Murray is a professor at Tuskegee Institute in Alabama. Mirroring a jam session in which two jazz musicians "trade twelves"each improvising twelve bars of music around the same musical idea-their lively dialog centers upon their respective writing, the jazz they both love so well, on travel, family, the work literary contemporaries (including Richard Wright, James Baldwin, William Faulkner and Ernest Hemingway) and the challenge of racial inclusiveness that they wish to pose to America through their craft. Infused with warmth, humor, and great erudition, Trading Twelvesoffers a glimpse into literary history in the makingand into a powerful and enduring friendship.