MIRANDA INNES

Selecciona interiores étnicos procedentes de todas las partes del mundo y los analiza para lograr un estilo más natural en la década de los noventa. Colores vivos, materiales naturales y artesanías t

In January 1997 Miranda Inness life did an unexpected somersault. Tired of London, becalmed in her career, disenchanted with her long-standing partner, she decided that she wanted to start afresh. She took her younger son to Andalucia, found a romantic ruin and fell in love with it. She made an offer - all that remained to do was sell her London home, rearrange her work and slip away to the sun. But she had not anticipated either the appearance of a new man in her life, or the struggle involved in rebuilding a house and creating a garden in the hostile terrain of southern Spain - even with the kindly guidance of Juan, their builder, and an array of local eccentrics.

In 1996, former "Country Living" garden-editor, Miranda Innes decided to change her life completely. Tired of urban living, bored of her career, out of love with her long-standing partner, she and her son spied a romantic ruin in Andalusia amid its own olive groves, and made an offer. What happened next - selling her London house, and handing in her notice at the magazine - was going to be straightforward, or so she thought. She had not counted on the sudden emergence of a new man in her life, the plans of Arsenal football ground to purchase her back garden, a badly slipped disc and the logistics involved in moving a lifetime's possessions. Nor had she realised what a struggle re-building the house, room by room, or planting a garden in the hostile terrain of southern Spain would be. But helped by her new husband, Dan, and an assortment of eccentric locals, not least by the worldly wisdom of Juan the builder, she made it, and over the ensuing four years, the house and pool were built and the garden began to take shape.This is the story of how Miranda got to manana, of her love affair with Spain, and a countryside where "great jagged peaks range above little fields, white villages tumble like sugar cubes down the sides of hills, and white houses grow room by room in a puzzle of rectangles, topped by corrugated cinnamon-brown terracotta tiles moulded on a man's thigh". Illustrated throughout with line-drawings by Dan Pearce, "Getting to Manana" has high production values. With Miranda's gift for lyrical description of place and landscape, and her laugh-out-loud humour, this is a book to read and treasure.

STEP INTO THE DREAMLIKE CITY OF MARRAKECHWhere passionate music, magic potions and the drama of Africa are cooled by the intuitive genius of Arabic culture.Miranda Innes and her partner were lured into buying a beautiful long-neglected riad in the heart of this pink-walled city. Only after theyd begun their restoration work did they find that nothing in this place of smoke and mirrors was quite what it seemed.In Cinnamon City Miranda Innes takes you beyond the tourist track, behind the bolted doors and deep inside the romance that is Marrakech. With lyrical and evocative descriptions of the swirling colours, flavours and aromas, this glorious book will open your eyes to this most exotic of North African cities.

In 1996, former Country Living garden editor Miranda Innes decided to change her life completely. Tired of urban living, bored of her career, out of love with her long-standing partner, she and her son spied a romantic ruin in Andalusia amid its own olive groves, and made an offer. What happened next - selling her London house, and handing in her notice at the magazine - was going to be straightforward, or so she thought. She had not counted on the sudden emergence of a New Man in her life, the plans of Arsenal football ground to purchase her back garden, a badly slipped disc and the logistics involved in moving a lifetimes possessions. Nor had she realised what a struggle re-building the house, room by room, or planting a garden in the hostile terrain of southern Spain would be. But helped by her new husband, Dan, and an assortment of eccentric locals, not least by the worldly wisdom of Juan the builder, she made it, and over the ensuing four years, the house and pool were built and the garden began to take shape. This is the story of how Miranda got to mañana, of her love affair with Spain, and a countryside where great jagged peaks range above little fields, white villages tumble like sugar cubes down the sides of hills, and white houses grow room by room in a puzzle of rectangles, topped by corrugated cinnamon-brown terracotta tiles moulded on a mans thigh. Illustrated throughout with line-drawings by Dan Pearce, Getting to Mañana is a book to read and treasure.