Samuel Beckett

"Watt" es una novela experimental, filosófica, cómica e inclasificable. Su protagonista, Watt, un desharrapado del que apenas llegamos a saber nada, pasa dos años como criado en la casa de un enigmático y caprichoso terrateniente, en un ambiente de tension opresiva, que acaba por resquebrajar los esquemas mentales de Watt.

Un creativo y clarificador encuentro entre dos genios de la literatura.El interes de Samuel Beckett por la narrativa de Marcel Proust cuajó en esta obra iluminadora y temprana, que arroja luz sobre ambos autores. Sin duda, el Tiempo es el eje que vertebra el brillante analisis sobre la obra de Marcel Proust, el autor de En busca del tiempo perdido. El texto brinda tambien paginas memorables sobre la soledad, el conocimiento, el aburrimiento, la curiosidad y la amistad, asi como sobre la mentira y el miedo, o sobre la vida como sucesion de paraisos denegados.

Un texto poético correspondiente al periodo de madurez de Samuel Beckett que, en esta edición, se presenta por primera vez en castellano tanto en sus versiones originales (francés, inglés) como en la

Con motivo del centenario del nacimiento de Samuel Beckett, Tusquets Editores publica en un solo volumen las principales obras teatrales de este autor. Así reunidas, se aprecia no sólo con nitidez la evolucion de su obra, sino que tambien se comprende el eco y la importancia que ha tenido y tiene Beckett no solo en el teatro contemporaneo sino tambien en nuestra concepcion del mundo.En Eleutheria, la primera pieza teatral de Beckett, escrita en 1947 pero que no vio la luz hasta 1995, Beckett somete todos los ingredientes del teatro convencional ya a una profunda remodelacion: el protagonista, Victor Krap, ha abandonado su trabajo y a su familia y se ha recluido en una pension a fin de alcanzar una imposible libertad. A su vez, Esperando a Godot, estrenada en 1953, causo un impacto que no ha vuelto a repetirse en el mundo teatral; en ella describe la situacion de dos seres Vladimir y Estragon cuya vida y grotesta solidaridad se fundan en la absurda y vana espera de ese ser llamado Godot. Fin de partida, puesta por primera vez en escena en 1957, da un paso mas hacia la devastacion: sus personajes Hamm, tullido y ciego, y Clov, Nagg y Nella ya no esperan nada; el tiempo se ha detenido. Estas tres obras fundamentales en

El clásico indiscutible del teatro del siglo XX ahora en Austral en traducción de Ana María MoixCuando en 1953 se estrenó en París Esperando a Godot, pocos sabían quién era Samuel Beckett, salvo, quiza, los que ya lo conocias como ex secretario de otro irlandes no menos genial: James Joyce. Por aquellas fechas, Beckett tenia escrita ya gran parte de su obra literaria; sin embargo, para muchos paso a ser el autor de Esperando a Godot. Se dice que, desde aquella primera puesta en escena que causo estupefaccion y obtuvo tanto exito hasta nuestros dias, no ha habido año en que, en algun lugar del planeta, no se haya representado Esperando a Godot. El propio Beckett comento en cierta ocasion, poco despues de recibir el Premio Nobel de Literatura en 1969, que Esperando a Godot era una obra horriblemente comica. Si, todo lo horriblemente comica que puede resultar la situacion de dos seres cuya grotesca vida se funda en la vana espera de ese ser al que llaman Godot.

Molloy eleberrian, absurdoa eta umore beltza bitarte, Beckettek mundu garaikideaz daukan ikuspegi tragikoa ematen digu. Pertsonaia zein irudietan, giza bizitzaren patetismoa eta sumindura agerian ger

These four last prose fictions by Samuel Beckett were originally published individually, and their composition spanned the final decade of his life. In Company a solitary hearer lying in blackness calls up images from the far-off past. Ill Seen Ill Said meditates upon an old woman living out her last days alone in an isolated snow-bound cottage, watched over by twelve mysterious sentinels. In Worstward Ho, a breathless speaker unravels the sense of things, acting out the unending injunction to Try again. Fail again. Fail better. And Stirrings Still, published in the Guardian a few months before Becketts death in 1989, is the last prose work and testament of this great soothsayer of the age, and of the aged (Christopher Ricks).The present edition includes several short prose texts (Heard in the Dark I & II, One Evening, The Way, Ceiling) which represent work in progress or works ancillary to the composition of these late masterpieces.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. Well, thought Belacqua, its a quick death, God help us all.It is not.Dante and the Lobster is the first of the linked short stories in Samuel Becketts first book, More Pricks Than Kicks. Published in 1934, its style was recognisably indebted to that of his mentor, James Joyce, and crammed with linguistic texture and allusion that Beckett later shed. The book baffled many critics and sold so few copies that several batches were pulped.Decades later, this story was hailed as the Nobel Prize-winners earliest important work.

This new edition brings together all of Becketts dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism

Happy Days was written in 1960 and first produced in London at the Royal Court Theatre in November 1962.WINNIE: [ . . .] Well anyway - this man Shower - or Cooker - no matter - and the woman - hand in hand - in the other hands bags - kind of big brown grips - standing there gaping at me [...] - Whats she doing? he says - Whats the idea? he says - stuck up to her diddies in the bleeding ground - coarse fellow - What does it mean? he says - Whats it meant to mean? - and so on - lot more stuff like that - usual drivel - Do you hear me? He says - I do, she says, God help me - What do you mean, he says, God help you? (stops filing nails,raiseshead, gazes front.) And you, she says, whats the idea of you, she says, what are you meant to mean?

Written in French in the late forties before Waiting for Godot, Eleutheria is about a young man at odds with his middle-class family, living alone in a bedsit and refusing to take part in normal life while accepting handouts from his mother. Often richly comic, it contains elements of high farce and draws on the traditions of French boulevard comedy and melodrama. This new edition includes the notice by Jerome Lindon, in its original French, which accompanied the first edition in 1995, explaining the circumstances under which the play was first published.

Written in Roussillon during World War Two, while Samuel Beckett was hiding from the Gestapo, Watt was first published in 1953. Beckett acknowledged that this comic novel unlike any other has its place in the series - those masterpieces running from Murphy to the Trilogy, Waiting for Godot and beyond. It shares their sense of a world in crisis, their profound awareness of the paradoxes of being, and their distrust of the rational universe.Watt tells the tale of Mr Knotts servant and his attempts to get to know his master. Watts mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to know ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor. The new Faber edition offers for the first time a corrected text based on a scholarly appraisal of the manuscripts and textual history.

The iconic trilogy of novels by the era-defining Nobel laureate, relaunched for a new generation.I cant go on, Ill go on. Molloy: a sordid vagrant riding his bicycle through the countryside, sucking stones, on a quest for his mother. Moran: a private detective sent on his trail, investigating his crimes - but soon to deteriorate alongside him.Malone: an octogenarian man on his deathbed, naked in piles of blankets, wiling away the time with stories - writing, reminiscing, raging, surviving.The Unnameable: an armless and legless creature from a nameless place, weeping and watching in his urn, orbited by visitors outside a chop-house.Together, these selves speak, debate, exist: the prose as alive, or more, than them.The master innovator of them all.Guardian