Libros de , página 18260 de 349296

Si el primer llibre cercava la nostra identitat dins lespai geografic, lesdevenir del temps i el taranna dels primers habitants, sense deixar dendinsar-se vers el futur, ara, en aquest segon, volem recuparar les seves imatges, sempre vives i entranyables, lligades per diferents sintonies tematiques, que ens les facin mes significatives i coherents.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

Un libro basado en el clásico juego del Memory, para que los niños desarrollen la memoria, la psicomotricidad y la capacidad de observación, ¡y descubran todos los secretos del mundo submarino!Un libro basado en el clasico juego del Memory, para que los niños desarrollen la memoria, la psicomotricidad y la capacidad de observacion, ¡y descubran todos los secretos del mundo submarino!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

La maternidad subrogada implica el nacimiento de un niño que es gestado por una mujer ajena a quien o quienes desean tener un hijo. Puede tratarse de una pareja con problemas de fertilidad, una mujer sola, un varón solo o una pareja del mismo sexo. La maternidad subrogada ha invadido recientemente los debates en círculos de discusión políticos, sociales y medios de comunicación. Aunque no se trata de una innovación tecnológica per se, sino derivada de la fecundación in vitro que se practica desde hace décadas. Como consecuencia de esta práctica están apareciendo serios problemas de carácter personal, biomédico, psicológico y jurídico, muchos de ellos motivados por el escaso conocimiento de las con-secuencias para las personas y la sociedad y por el vacío legal con que ha emergido en diferentes países. Es de esto, de lo que los cinco grandes expertos en bioética: Nicolás Jouve de la Barreda, Natalia López Moratalla, Justo Aznar Lucea, Julio Tudela Cuenca, Marta Albert Márquez y José Miguel Serrano Ruiz Calderón nos hablan con una visión global constructiva y nos advierten sobre los peligros de la utilización de la vida sin valorar la existencia de quienes toman la decisión de contratar una gestación, la gestante y la vida futura que estará en juego.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

Daniel es un chico homosexual al que le cuesta relacionarse, a pesar de que es dependiente en una panadería de un barrio malagueño. Clara se maldice cada día ante el espejo de su habitación debido a su extrema delgadez y ha aprendido que tiene que ser buena. Ambos tienen mucho en comun: la soledad, el desamparo y la desesperacion se conjugan desde que eran niños en sus cuerpos avidos de afecto. El deseo de ser queridos a cualquier precio les llevara a autoengañarse y a aceptar la violencia, el sufrimiento y los malos tratos como parte de una vida cuyo mapa completo no alcanzan a comprender. Descubriran que las personas nos acostumbramos a todo, incluso a vivir en un infierno, con tal de obtener unas migajas de algo parecido al amor.

El llibre té un rerefons religiós, de comunió. Està amarat de records d’infantesa o d’adolescència, de la relació amb els pares, de la iniciació a la vida i de l’aprenentatge permanent.Tot hi són pro

Què vols ser quan siguis gran? Pagès, bomber, pintora... En aquest títol trobaran una pila d’oficis per triar i remenar representats per uns ossets molt enfeinats. Un llibre tot cartró amb els noms d

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

"Al pasar la barca… El Mal posee muchos rostros, pero hay uno tan terrible, que es mejor enmascararlo. Me dijo el barquero… Germán Corso es un inspector de policía cuyo legado ha dirigido su destino

The year is 1911. Chief Investigator Isaac Bell of the Van Dorn Detective Agency has had many extraordinary cases before. But none quite like this.Hired to find a young woman named Anna Pape who ran away from home to become an actress, Bell gets a shock when her murdered body turns up instead. Vowing to bring the killer to justice, he begins a manhunt which leads him into increasingly more alarming territory. Anna Pape was not alone in her fate - petite young blonde women like Anna are being murdered in cities across America.And the pattern goes beyond the physical resemblance of the victims - there are disturbing familiarities about the killings themselves that send a chill through even a man as experienced with evil as Bell. If he is right about his fears, then he is on the trail of one of the greatest monsters of his time.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant._,

"Una suicida, un loco enamorado, una víctima... Esas y muchas otras historias ¿Qué es el mundo? Bienvenido al caos, bienvenido a mi mundo. ¿Y si todas las personas escribiesen la poesía que llevan de

Joaquín Íllora lleva una aparente vida normal. A sus casi cuarenta años convive con Ludi, su pareja, y tiene un buen trabajo que le permite una vida acomodada. Los cimientos de su vida comienzan a desmoronarse cuando un serie de extrañas muertes a su alrededor comienzan a irrumpir en su día a día, haciendo que irremediablemente rememore su pasado, así como sus coqueteos con el mundo paranormal. El recuerdo de sus actos con diecinueve años comienzan a cuadrar con los hechos luctuosos del presente; obligándole a intervenir y a recuperar viejas prácticas ya olvidadas.