NAMING OF THE BONES

The poems in Naming of the Bones touch on Christian values and work towards a significant faith, at the same time focusing on the wonders of an evolving cosmos. The poems delight in the things of the earth, suggesting a secular Christianity. They hope justice will overcome human greed and violence, while they assent to the seasons developing of our landscapes and the beauty and dangers of our place in creation. The sequence Like the Dewfall works with the music of the French composer Olivier Messiaen and his double piano masterpiece, Visions de lAmen, a suite of seven pieces for two pianos, composed in 1943 during the Nazi Occupation of Paris. Other poems connect the landscape, sea-scape and sky-scape of the Achill of Deanes formative years to the wonders of the Christian faith with a sacramental awareness that is a striking feature of many of the poems. Fiona Sampson wrote in the Financial Times, The poetry here is always beautiful, and always high stakes because infused with spirituality. And the theologian Cyril ORegan comments, if Deane is not a prophetic poet by most modern standards – that is, we have to strain to hear denunciation – nonetheless, precisely as a poet he understands himself to be a witness: Poetry tells the truth that we would not tell, lifts the veil on the human condition that we would prefer not to be lifted.