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THE FELL

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Tiempo est. de lectura: 3h 54m

Sinopsis

Acclaimed author of Summerwater and Ghost Wall, Sarah Moss is back with a sharply observed and darkly funny novel for our times. 'A tense page turner . . . I gulped The Fell down in one sitting' - Emma Donoghue'Gripping, thoughtful and revelatory' - Paula Hawkins'This slim, intense masterpiece is one of my best books of the year' - Rachel Joyce'Her work is as close to perfect as a novelist's can be' The Times At dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can't take it any more - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know. But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears. 'One of our very best contemporary novelists' - Independent

Ficha Técnica

Editorial: Pan Macmillan

ISBN: 9781529083224

Idioma: Inglés

Número de páginas: 192

Tiempo de lectura: 3h 54m

Encuadernación: Tapa dura

Fecha de lanzamiento: 12/11/2021

Año de edición: 2021

Especificaciones del producto

Escrito por Sarah Moss

(Glasgow, 1975) creció en Mánchester y estudió en la Universidad de Oxford. En la actualidad, trabaja como profesora de Escritura Creativa en la Universidad de Warwick. Es autora de seis novelas, entre ellas Tierra fría (Duomo, 2010), Night Waking (2011) o The Tidal Zone (2016). Muro fantasma fue escogido como uno de los libros del año por The Times, The Guardian, The Times Literary Supplement, Financial Times, The Spectator y New Statesman.
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