For Solid and Symmetrical Acquirement in Piano-Forte Playing, Singing, and Harmony, Containing Copious and Carefully Progressive Exercises, Pieces, Songs, Technics, Solfeggios, and Etudes, in All the KeysBefore N o. 9, I would play a little upon the piano in triple measure, accenting pretty strongly, and would ask the pupil to count one, two, one, two, as before. He would see that this kind of measuring would not answer, and I would ask him to try one, two, three. Then I would say that much music is written in measures of three parts called triple measure, or triple time. I would introduce the dotted half note, and the two dotted half notes tied, by asking him. To play tones that would fill one of these measures, and then tones that would fill two of them, three counts long.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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