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📱 eBook en inglés HOW FICTION WORKS

Vintage Digital- 9781446414484

Historia y crítica de la Literatura Estudios e historiografía

Sinopsis de HOW FICTION WORKS

Rediscover this deep, practical anatomy of the novel from the strongest ... literary critic we have (New York Review of Books) in this new revised 10th anniversary edition.

What do we mean when we say we know a fictional character?

What constitutes a telling detail?

When is a metaphor successful?

Is realism realistic?

Why do most endings of novels disappoint?

In the tradition of E. M. Forsters Aspects of the Novel and Milan Kunderas The Art of the Novel, How Fiction Works is a study of the main elements of fiction, such as narrative, detail, characterization, dialogue, realism, and style. In his first full-length book of criticism, one of the most prominent critics of our time takes the machinery of story-telling apart to ask a series of fundamental questions.

Wood ranges widely, from Homer to Beatrix Potter, from the Bible to John Le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, it incisively sums up two decades of bold, often controversial, and now classic critical work, and will be enlightening to writers, readers, and anyone interested in what happens on the page.

Should find a place on every novel-lovers shelf. It has the quality all useful works of criticism should have: refined taste, keen observation, and the ability to make the reader argue, passionately, with itFinancial Times

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Ficha técnica


Editorial: Vintage Digital

ISBN: 9781446414484

Idioma: Inglés

Número de páginas: 208

Tiempo de lectura:
4h 15m

Fecha de lanzamiento: 07/12/2010

Año de edición: 2008


Especificaciones del producto



Escrito por James Wood


James Wood (Durham, 1965) es crítico literario y escritor de diversos ensayos y novelas. Es también profesor de Crítica Literaria en la Universidad de Harvard y colaborador de The New York Times, The New Yorker, The New York Review of Books y la London Review of Books. Considerado uno de los personajes más influyentes de las letras estadounidenses, es autor, entre otras obras, de The Broken Estate: Essays on Literature and Belief, The Irresponsible Self: On Laughter and the Novel y The Fun Stuff.
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