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POETRY

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Sinopsis

Ring Lardner was one of the most prolific humorists of the early 20th century. While he was most famous for the frequent appearances of his short fiction in numerous popular magazines of the era, he was also a prolific writer of poetry. His daily column for the Chicago Tribune entitled "In the Wake of the News" was generally a sports news column, but oftentimes served as a platform to publish his poetry. Many of his more sentimental poems from this column—the ones written about his children—would later be compiled in Bib Ballads . Lardners second poetry compilation, Regular Fellows I Have Met , is a series of nearly 200 poems about Lardners friends and colleagues—some of whom would go on to become incredibly famous, while others remained regular, everyday fellows. Lardners poetry, like his prose, has a recognizable voice. His sports journalism roots are made apparent by his frequent and satirical overuse of abbreviations. The verse is always cheerful, one might even say whimsical, in its rhythm and meter, despite the subjects often including gallows humor. Though his poems were all written for and published in different media like newspapers, magazines, and books, Lardner brings a consistent voice to his entire poetic corpus. Ring Lardner (died 1933) was a major literary figure of the early 20th century. Their work has endured across generations and continues to be read and studied worldwide. Poetry has always been the most concentrated and powerful form of literary expression. The verse collected in Poetry represents a high point of the poetic tradition, offering language of beauty and precision that speaks to the deepest levels of human experience.
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Ficha Técnica

Editorial: Caelwick Press

ISBN: 9785395024022

Idioma: Inglés

Fecha de lanzamiento: 19/05/2026

Especificaciones del producto

Escrito por Ring Lardner

(1915, Chicago - 2000, Nueva York) Su padre fue uno de los grandes periodistas deportivos de entreguerras y un célebre autor de relatos humorísticos. Alcanzó un éxito precoz como guionista en el deslumbrante Hollywood de finales de los años treinta y principios de los cuarenta. En 1942 ganó un óscar por La mujer del año, la primera película del tándem Spencer Tracy/Katharine Hepburn, pero su carrera se truncó en 1947 cuando la Comisión sobre Actividades Antiamericanas decidió investigar a los sospechosos de militancia comunista en la industria cinematográfica. Lardner fue uno de los diez cineastas que se negaron a claudicar. Tras dos décadas de oscurantismo, a finales de los sesenta llegó por fin su rehabilitación pública y en 1972 obtuvo un segundo óscar por el guión de la comedia antibelicista mash que dirigió Robert Altman.
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