Annah, Infinite

Annah, Infinite turns dominant narratives of Paul Gauguins famous painting Annah la Javanaise (c. 1893-94) on its head. The work argues a simple point: there is the possibility that the portrait is a depiction of a pained child. In highlighting the plausibility of this particular scenario in light of how contradictory facts surrounding Annahs life have been assembled in historical narratives, the work draws attention to how ablenormativity functions within arts institutions to mask colonial abuses. Taking a closer look at the ways in which Annah la Javanaise, with its attendant mythologies of Annah the person or people, circulates in the world: as commodity of the global financial market, and simultaneously, as contradiction of tropes regarding disabled, Southeast Asian girls in the developing world. An incisive look at how colonial ableism, racism, and sexism have kept violent legacies on museum walls, it shows empathetic possibilities for imagining otherwise and charts histories of resilience and of disabled peoples longstanding activism. Interspersed with the authors own poetry, fiction, and visual art on the paintings subject, this is a book of emotional heft.