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Blue Ruin

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Sinopsis

From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty, power, and capitals influence on art and those who devote their lives to creating it.

Blue Ruin is bracingly intelligent and often just plain beautiful. It’s a reminder that fiction, at its best, is a place to encounter new experiences and dwell in big ideas. Kunzru is known for ambitious novels that bring politics to rich, imaginative life; Blue Ruin shows him at the top of his game. Sandra Newman, Guardian Book of the Day

I read everything Hari Kunzru writes, for my highest pleasure and my deepest sustenance. Rachel Kushner

Genuinely thrilling...both a sharp dissection of the oily inner workings of the art world, and a compelling portrait of one man’s desperate attempt to escape complicity in the capitalist machine. Financial Times

Once Jay was tipped for greatness, a rising star of the London art scene. Now, he lives out of his car and earns money delivery groceries to the wealthy of upstate New York, while all around a terrible pandemic rages.

When Jay arrives at a house set in an enormous acreage of woodland, he is shocked to see somebody he thought forever lost to him. Standing on the porch is Alice, a lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she left him for his best friend and fellow artist Rob. Alice and Rob have achieved the riches and success for which Jay once seemed destined. Ashamed and debilitated by the virus that has ravaged his body, Jay hopes she wont recognise him behind his dirty surgical mask. When she does, however, she invites him to recover on the property, setting in motion a reckoning decades in the making.

Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time to deliver an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.

Kunzrus brilliance is his ability to fold vertiginous questions [...] into his storytelling. In its unnerving depiction of [...] uneasy relationships, Blue Ruin not only keeps pace with White Tears and Red Pill, but also confirms his status as a master choreographer of the present moments creeping anxiety. Literary Review

“[Blue Ruin] promises to be harrowing and darkly funny. Kunzru has a knack for the nightmarish present, and few things feel more nightmarish than a forced confrontation with the past in the early stages of the pandemic.” Lit Hub, Most Anticipated Books of 2024

“Kunzru’s [Blue Ruin] is a triumph of beauty and a true ode to the artist.” Oprah Daily, Most Anticipated Books of 2024

“Kunzru takes on the excessive and rapacious tendencies of the art world in his dazzling latest . . . [Blue Ruin] is immensely satisfying.” Publishers Weekly

“A lively, ever-intensifying story of race, immigration, work, and what it means to earn a living . . . [Blue Ruin is] a darkly ironic tale of two bubbles—an art world divorced from economic reality and a Covid era that segregated us from society . . . A dark, smart, provocative tale of the perils of art making.” Kirkus

“Exquisite writing and keen insights into class tensions and creative dilemmas. Kunzru affirms that it’s always a good time to live an examined life, even during a pandemic.” Booklist

Anne Carson: Premio Nobel de Literatura 2026

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Ficha Técnica

Editorial: Scribner Uk

ISBN: 9781398528925

Idioma: Inglés

Fecha de lanzamiento: 14/05/2024

Especificaciones del producto

Hari Kunzru

Escrito por Hari Kunzru

Hari Kunzru nació en Londres en 1969, de madre inglesa y padre indio, y en la actualidad vive en Nueva York. Es escritor y periodista y ha colaborado con prestigiosos medios como The New York Times, The Guardian, The New Yorker, Daily Telegraph, The Economist y Wired. Su primera novela, El transformista (Alfaguara, 2005), recibió los premios Betty Trask y Somerset Maugham. En 2003 fue reconocido por la revista Granta como uno de los veinte mejores escritores de menos de cuarenta años. La revista Lire lo escogió por su parte como «uno de los cincuenta escritores del mañana». Su segunda obra, Leila.exe (Alfaguara, 2005), fue calificada por The New York Times como una de las mejores novelas del año y recibió el British Book Award. En 2005 publicó una colección de relatos, Noise, a la que siguieron las novelas Mis revoluciones (Alfaguara, 2008) y Dioses sin hombres (Alfaguara, 2012). Su obra se ha traducido a veintiún idiomas.

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