Salvage This World

In Michael Farris Smiths latest gritty epic, a young woman returns home with her child, to her ghost-haunted father, while a religious extremist hunts the storm-ridden territory to find the girl who may hold the key to the regions apocalyptic future.

There was no rising from the dead and there was no hand to calm the storms and there was no peace in no valley.

In the hurricane-ravaged bottomlands of South Mississippi, where stores are closing and jobs are few, a fierce zealot has gained a foothold, capitalising on the vulnerability of a dwindling population and a burning need for hope.

As she preaches and promises salvation from the light of the pulpit, in the shadows she sows the seeds of violence.

Elsewhere, Jessie and her toddler, Jace, are on the run across the Mississippi/Louisiana line, in a resentful return to her childhood home and her desolate father.

Holt, Jaces father, is missing and hunted by a brutish crowd, and an old man witnesses the wrong thing in the depths of night.

In only a matter of days, all of their lives will collide, and be altered, in the maelstrom of the changing world.

At once elegiac and profound, Salvage This World journeys into the heart of a region growing darker and less forgiving, and asks how we keep going — what do we hold onto — in a land where God has fled.

Michael Farris Smith masterfully takes us on a ride into the growing darkness of a crumbling world. You couldnt ask for better than that. — Michael Connelly

Southern, wet and gritty. Storm-filled and laced with fear and tension, as well as realistic and engaging characters, this world is grimly enticing — Joe Lansdale

With a cast of fierce, masterfully drawn characters set loose in gorgeous, hurricane-blasted landscapes, Salvage this World by Michael Farris Smith is riveting: I couldnt put it down — Laird Hunt

Audaciously prophetic. Heres a near-future and all too plausible southern noir in which the lawlessness already creeping into American democracy has become the norm and in which preachers have abandoned Christ and instead are searching for the new climate Messiah, and the line between good and evil is not only very thin but completely effaced. A rollicking good (dark) read — Brian Evenson

An exceptional storyteller in top form — Kirkus

Smith melds fire and brimstone with the ravages of hurricanes in this evocative noir of the Mississippi Delta — Publishers Weekly