SUITE FRANÇAISE

SUITE FRANCAISE has all the ingredients of a major bestseller: the story behind its rediscovery is extraordinary; the life of the author is fascinating and moving; but, most importantly, it is a hugely compelling work of literature, elegantly, subtly and simply written, with astounding insight into the moral complexities of the human condition. It comprises two parts of what might have been a four or five-part work had Irene not been taken to Auschwitz. She conceived of it as a symphony – or her WARE AND PEACE. In the first part, Storm in June, she tells of the exodus from Paris on the eve of the Nazi invasion. Bourgeois and working-class characters alike pack up their belongings and flee, forced to rub shoulders in traffic-jams on the crowded roads south, some behaving with dignity, others with nauseating selfishness. In Part Two, Dolce, we meet several of them again in a small French village where Nazi soldiers are billetted, and watch Lucille''s story unfold as she tries to resist the attractions of a sensitive German officer, and takes the risk of defending a young farmer who joins the resistance. The intertwining stories of all these utterly engaging and vivid characters combine to produce a unique portrait of France at that time, and of the subtle calibrations that exist between collaboration and resistance.