JILL DAWSON

Tina Humber is 40 and living in the States when a moment of panic about her 10 year-old daughter triggers the memory of her childhood friend, Mandy Baker, who went missing at the same age from the sleepy Cambridgeshire village where they grew up. As Tina replays events and the past comes back to life, she begins to suspect the awful truth of what happened to Mandy. But after so many years, will anyone believe what is based on nothing more than conjecture, intuition and fragments of memory? And even if she is able to placate the ghost of Mandy Baker, there will be profound consequences for the living, including herself.Set against the backdrop of the waterlogged Fens, Jill Dawson's powerful new novel captures the mysteries of childhood, and that volatile transitional stage when girls become aware of their attractions - but do not grasp the dangers.

A revelatory novel about the poet Rupert Brooke from the Orange and Whitbread-shortlisted author of FRED AND EDIE

In post-Revolution France, a child is discovered in the forests near Aveyron, where he seems to have been living wild for seven years. Now 12 years old, the Wild Boy, as he becomes known, is captured, put on public display as a freak, and finally handed over to the ambitious, repressed Doctor Itard, who is charged with studying the Wild Boy, who he names Victor, and trying to discover the secrets of his strange, secret life. But Victor soon becomes a pawn in the raging debate about nature vs nurture, and Itard's attempts to educate and civilise him bear little fruit. Instead, Victor seems drawn to Mme Guerin, his maternal guardian - and to her vivacious daughter, Julie, who is herself falling for Itard as he struggles to understand both Victor and his own confused emotions. Giving a vivid sense of the Revolutionary period, the novel brings to life through the stories of three fascinating characters a mysterious case that still resonates today.

Lorsque, au milieu des années 1960, la romancière Patricia Highsmith s’installe dans un petit cottage dans le Suffolk, en Angleterre, c’est pour s’isoler et se donner le temps d’écrire, mais égalemen

Brilliant Paula Hawkins, author of The Girl on the TrainIn 1964, the eccentric American novelist Patricia Highsmith is hiding out in a cottage in Suffolk, to concentrate on her writing and escape her fans. She has another motive too - a secret romance with a married lover based in London. Unfortunately it soon becomes clear that all her demons have come with her. Prowlers, sexual obsessives, frauds, imposters, suicides and murderers: the tropes of her fictions clamour for her attention, rudely intruding on her peaceful Suffolk retreat. After the arrival of Ginny, an enigmatic young journalist bent on interviewing her, events take a catastrophic turn. Except, as always in Highsmiths troubled life, matters are not quite as they first appear . . .Masterfully recreating Highsmiths much exercised fantasies of murder and madness, Jill Dawson probes the darkest reaches of the imagination in this novel - at once a brilliant portrait of a writer and an atmospheric, emotionally charged, riveting tale.

Drawing on the infamous Lord Lucan affair, this compelling novel explores the roots of a shocking murder from a fresh perspective and brings to vivid life an era when womens voices all too often went unheard. In the summer of 1974, Mandy River arrives in London to make a fresh start and begins working as nanny to the children of one Lady Morven. She quickly finds herself in the midst of a bitter custody battle and the house under siege: Lord Morven is having his wife watched. According to Lady Morven, her estranged husband also has a violent streak, yet she doesnt seem the most reliable witness. Should Mandy believe her? As Mandy edges towards her tragic fate, her friend Rosemary watches from the wings - an odd girl with her own painful past and a rare gift. This time, though, she misreads the signs.

OUR MOST CONSUMMATE HISTORICAL NOVELIST Philip HoareBrilliantPaula HawkinsBreathtakingSadie JonesDevastatingThe TimesTerrificMail on SundayChillingDaily ExpressA dazzling, shocking novel that speaks to our times, drawing on the 16th-century case of the witches of Warboys.Alice Samuel might be old and sharp-tongued, but shes no fool. Visiting her new neighbours in her Fenland village, she finds Squire Throckmortons family troubled and, she suspects, not as God-fearing as they seem. Yet when one of the daughters accuses her of witchcraft, Alice has no idea of the danger she is in or how quickly matters will escalate.The Throckmortons maid Martha, uneasy herself about strange goings-on in the household, is reluctant to believe that Alice is a witch. But as the entire village gets swept up in the frenzied persecution of one of their own, she struggles to find a voice . . .PRAISE FOR JILL DAWSONA skilful storytellerHilary MantelA magnificent writerCathy RentzenbrinkA spark fires throughout Dawsons workGuardianSo gifted and assuredDaily Mail

Crimes a mans business. So they say. Who was that small figure then, slender enough to trot along the moonlit track, swift and low, virtually invisible? Who was it that covered the green signal with a glove to stop the train, while the two others took care of the driver and his mate? Could it have been one Queenie Dove, survivor of the Depression and the Blitz, not to mention any number of scrapes with the law?Queenie Dove is a self-proclaimed genius when it comes to thieving and escape. Daring, clever and sexy, she ducked and dived through the streets of London from the East End through Soho to Mayfair, graduating from childhood shop-lifting to more glamorous crimes in the post-war decades. So was she wicked through and through, or more sinned against than sinning? Here she tells a vivacious tale of trickery and adventure, but one with more pain and heartbreak than its heroine cares to admit. Yes, luck often favoured her, but that is only part of the story.

When Lily Waite, young and optimistic, puts Yorkshire behind her and arrives in London with her five-year-old son, shes mysteriously lacking in home, husband or belongings. At first shes in at the deep end, newly broke, newly a single parent, but soon things are going swimmingly and, after surprising herself by falling in love with her Jamaican neighbour, she eventually learns that losing everything can be a great place to start.

LONGLISTED FOR THE FOLIO PRIZE 2015One heart, two lives...When a teenager dies in an accident in rural Cambridgeshire, it affords Patrick, a fifty-year-old professor, drinker and womaniser, the chance of a life-saving heart transplant. But as Patrick recovers, he has the odd feeling that his old life wont have him. He becomes bewitched by the story of his heart, ever more curious about the boy who donated it, his ancestors, the Fenland he grew up in. What exactly has Patrick been given?

A young couple abandon the urban jungle of Londons East End for a remote, mountainous corner of Washington State. Chosen by Mick, who is half-American, the place seems as alien as the moon to Rita. But she soon adjusts to raising their small daughter, Frances, in a broken-down cabin without electricity or water, and revels in the untamed beauty of their surroundings. Shes scared, though, of the wild animals howling and screeching outside by night. What she cannot admit is her fear of Micks violent temper. Worse, perhaps, are her own flashes of anger at Frances, frightening losses of control which leave her feeling shaken and guilty. Then she meets Ryan, a redneck poacher who plants in her mind the seed of rebellion.

In the summer of 1909, seventeen-year-old Nell Golightly is the new maid at the Orchard Tea Gardens in Cambridgeshire when Rupert Brooke moves in as a lodger. Famed for his looks and flouting of convention, the young poet captures the hearts of men and women alike, yet his own seems to stay intact. Even Nell, despite her good sense, begins to fall for him. What is his secret?This captivating novel gives voice to Rupert Brooke himself in a tale of mutual fascination and inner turmoil, set at a time of great social unrest. Revealing a man far more complex and radical than legend suggests, it powerfully conveys the allure - and curse - of charisma.

In December 1922 Edith Thompson, a smart, bright, lower-middle class woman who worked in a milliners shop, was tried for conspiring with her young lover Frederick Bywaters to murder her husband, Percy. The sensational trial, which took place in front of heaving crowds at the Old Bailey, unravelled a real life drama as exciting as any blockbuster: an illicit love affair, a back-street abortion, domestic violence, murder and a double execution. Fred and Edie draws together powerful threads between personal memory and public lives, between innocence and responsibility, and between fact and fiction. It is an exploration of a woman caught in the net of her own private fantasy and the conflicts of the era in which she lived, of her muddled attempt to defy convention and reshape her own destiny, and, finally, of the devastation she left in her wake.

A ten-year-old girl vanishes without trace from a Fenland village, her body never found. Thirty years on, she comes sharply back to life in the minds eye of her childhood friend, Tina Humber, who has done her best to put the past behind her. But now, as Tina returns home for a family wedding, she replays her memories in search of what happened, fearing that deep down she has always known who killed Mandy Baker.