PETER WRIGHT

The Watershed of Scotland is a line that separates east from west; that divides those river basin areas which drain towards the North Sea on the one hand, and those which flow west into the Atlantic Ocean on the other. Its a line that meanders from Peel Fell on the English border all the way to the top at Duncansby Head, near John OGroats - over 745 miles, through almost every kind of terrain. The Watershed follows the high ground, and offers wide vistas down almost every major river valley, towards towns and communities, into the heartlands of Scotland. Ribbon of Wildness provides a vivid introduction to this geographic and landscape feature, which has hitherto been largely unknown. The rock, bog, forest, moor and mountain are all testament to The Watersheds richly varied natural state. The evolving kaleidoscope of changing vistas, wide panoramas, ever present wildlife, and the vagaries of the weather, are delightfully described on this great journey of discovery. Along the route of the Watershed the general emptiness of the journey will strike the walker all the way, creating a unique, beautiful, spiritual dimension to the walk. BACK COVER: If youve bagged the Munros, done the Caledonian Challenge and walked the West Highland Way, this is your next conquest. The Watershed of Scotland is a line that separates east from west; that divides those river basin areas which drain towards the North Sea from those which flow west into the Atlantic Ocian. Its a line that meanders from Peel Fell on the English Border all the way to the top of Duncansby Head, near John OGroats - over 745 miles, through almost every kind of terrain. The Watershed follows the high ground, and offers wide vistas down major river valleys, towards towns and communities, into the heartlands of Scotland. Wakj the Watershed in eight weeks. Tackle short sections over a weekend. 7 route maps. Over 30 colour photographs. Ribbon of Wildness provides a vivid introduction to this geographic and landscape feature, which has hitherto been largely unknown. The rock, bog, forest, moor and mountain are all testament to the Watersheds richly varied natural state. The evolving kaleidoscope of changijg vistas, wide panoramas, ever-present wildlife, and the vagaries of the weather, are delightfully described on this great journey of discovery.

In this new work, the final walk, takes the watershed northwards and is set on Orkney. The wilderness of Scotland offers something special to walkers, nature-lovers and indeed, to any thoughtful, reflective human-beings. LOTHIAN LIFE. The Watershed of Scotland is a line that separates East from West and divides those river basin areas which drain towards the North Sea on the one hand, and those which flow west into the Atlantic Ocean on the other. It meanders from Peel Fell on the English border all the way to the top at Duncansby Head: over 754 miles (1,200km) through almost every kind of terrain. The Watershed follows the high ground, and offers wide vistas down almost every major river valley, towards towns and communities, into the heartlands of Scotland. Walking with Wildness leads the reader through breathtaking, hitherto mostly unknown landscapes, providing valuable advice for walkers on the way.

In 2005 Peter Wright walked the 1,200 km length of the Watershed in 64 days. Walking along the very spine of Scotland he was struck by the magnificence and diversity of the landscapes which his original and little publicised route exposed him to. Natures Peace celebrates these landscapes as never before through stunning photographs, taking the reader on an imaginary journey from the English border in the south to the Shetland Isles and Unst at the very northern tip of Britain. Wright brings his journey to life with vivid descriptions of the lands history and discussions about its future.

A critical inquiry into the value and experience of participation in design research.In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projectswhich range from the public and performative to the private and interpersonalthrough the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participationunderstanding the other, building relationships, belonging in community, and participating in publicsand they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies.