Ulrich Alexander Boschwitz

Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace.Shot through with Hitchcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.

Otto Silbermann es un comerciante exitoso y respetado en Berlín. Cada año que pasa tras la llegada al poder de los nacionalsocialistas, es más consciente de sus raíces judías. En el transcurso de los pogromos de noviembre de 1938, pasa de ciudadano a ser perseguido de manera definitiva: destrozan su vivienda, le separan de su familia y le quitan su negocio. Solo le queda huir. Con un maletin lleno de dinero, se recorre toda Alemania en tren con la esperanza de poder cruzar la frontera al extranjero hacia la salvacion. En su camino, se encuentra con refugiados, nazis y con la indiferencia del resto. Sin embargo, todos los intentos de huida fracasan, y Silbermann termina perdiendo todo. Reseñas: La novela de Ulrich Alexander Boschwitz es tan actual que asusta. ... La historia del judio Otto Silbermann ... es tan actual como atemporal. ... No es necesario ser un profeta para predecir que El pasajero se leera y se debatira en los colegios. Va a ser de ayuda. Ralf Bont, Die Zeit. Esta novela es un monumento plasmado en papel, y nos muestra lo rapido que nos pueden excluir a personas como tu y yo. Leed. Este. Libro. Uwe Kalkowski, www.kaffeehaussitzer.de.

BERLIN, NOVEMBER 1938. With storm troopers battering against his door, Otto Silbermann must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home. Twenty-three-year-old Ulrich Alexander Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace.Shot through with Hitckcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.

Berlín, novembre del 1938. Otto Silberman és un empresari jueu i ric que pertany a l'alta societat alemanya. Però últimament la vida s'esta complicant, molts dels seus parents i amics han anat desapareixent, o han estat detinguts: l'antisemitisme, esperonat pel govern nazi, s'estén de manera imparable per tot el país. Silbermann comença a plantejar-se marxar de la ciutat, vendre el pis i liquidar tots els comptes, fins que un matí truquen a la porta de casa seva i, en veure un grup de joves que l'espera amenaçadorament a l'altra banda del llindar, decideix fugir. No és cap cas aïllat: aquesta mena d'assalts violents estan passant impunement per tota la ciutat amb el vist-i-plau de les autoritats. I així, de cop, en Silbermann es converteix en un fugitiu. Escrita amb estil directe i ritme tens, El viatger és una nova i terrorífica mirada a l'Alemanya dels anys trenta, un retrat vivíssim dels efectes devastadors del nazisme fet a partir de converses i reflexions sobre el terreny, i resulta un testimoni tan impactant com necessari per entendre com funcionen els mecanismes de poder i d'exclusió i la violència a gran escala.

En novembre 1938, Otto Silbermann devient un homme traqué du jour au lendemain. Il a beau être un industriel respecté et ancien combattant de la Grande Guerre, rien n’arrête désormais ceux qui s’en p

Gripping - TelegraphBrilliant - Sunday TimesRiveting - GuardianThe devastating rediscovered classic written from the horrors of Nazi Germany, as one Jewish man attempts to flee persecution in the wake of KristallnachtBERLIN, NOVEMBER 1938. With storm troopers battering against his door, Otto Silbermann must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.Twenty-three-year-old Ulrich Alexander Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Shot through with Hitckcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.

Escrito às pressas em 1938 por um jovem de 23 anos, o manuscrito de O passageiro foi redescoberto apenas em 2017, quando foi publicado na Alemanha e se tornou um fenômeno literário em escala global.

A prophetic, darkly comic lost classic about down-and-outs in a fractured Berlin by the author of the Sunday Times bestselling rediscovery The PassengerA writer of great insight and talentFTBerlin, 1920s: a beacon of culture and hedonism, but a political mess. The streets are crowded with war veterans, beggars, prostitutes and madmen, desperately chasing any means to secure a few marks or a roof over their heads. Come nighttime, a rag-tag group descends on the Jolly Huntsman pub to dance and drown their cares in all the schnapps they can afford. But in this society on the brink, pleasure all too easily erupts into violence.A bleakly comic story of struggle and discontent on the fringes of the metropolis, Berlin Shuffle is a blistering portrait of a divided society that would give way to fascism. Written when he was just twenty-two years old, Boschwitzs first novel displays his extraordinary talent for capturing Germanys self-destruction, which would tragically engulf him only five years later.

Berlin, 1920s: a beacon of culture and hedonism, but a political mess. The streets are crowded with war veterans, beggars, prostitutes and madmen, desperately chasing any means to secure a few marks or a roof over their heads. Come nighttime, a rag-tag group descends on the Jolly Huntsman pub to dance and drown their cares in all the schnapps they can afford. But in this society on the brink, pleasure all too easily erupts into violence.A bleakly comic story of struggle and discontent on the fringes of the metropolis, Berlin Shuffle is a blistering portrait of a divided society that would give way to fascism. Written when he was just twenty-two years old, Boschwitzs first novel displays his extraordinary talent for capturing Germanys self-destruction, which would tragically engulf him only five years later.

The devastating rediscovered classic written from the horrors of Nazi Germany, as one Jewish man attempts to flee persecution in the wake of Kristallnacht Remarkable... disabused, prophetic, and flawlessly penetrating Andre Aciman Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Shot through with Hitchcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.

Alemania, 1938. El comerciante Otto Silbermann es un miembro respetado de la sociedad. Es, también, judío. Tras la Noche de los Cristales Rotos, comprueba que muchos de sus amigos y familiares han sido detenidos o han desaparecido. Solo, sin nadie a quien recurrir, consciente de ser el blanco perfecto del odio, procura hacerse invisible. Aferrado a un maletin con el poco dinero que ha logrado salvar, toma un tren tras otro, tratando de hallar la manera de huir de Alemania y fugarse al extranjero. Novela autobiografica de Ulrich Alexander Boschwitz, el manuscrito de El pasajero paso decadas desapercibido en el Archivo del Exilio de la Biblioteca Nacional de Alemania, hasta ser descubierto y publicado recientemente en ese pais, convirtiendose en un verdadero acontecimiento literario.

Alemania, 1938. El comerciante Otto Silbermann es un miembro respetado de la sociedad. Es, también, judío. Tras la Noche de los Cristales Rotos, comprueba que muchos de sus amigos y familiares han sido detenidos o han desaparecido. Solo, sin nadie a quien recurrir, consciente de ser el blanco perfecto del odio, procura hacerse invisible. Aferrado a un maletin con el poco dinero que ha logrado salvar, toma un tren tras otro, tratando de hallar la manera de huir de Alemania y fugarse al extranjero. Novela autobiografica de Ulrich Alexander Boschwitz, el manuscrito de El pasajero paso decadas desapercibido en el Archivo del Exilio de la Biblioteca Nacional de Alemania, hasta ser descubierto y publicado recientemente en ese pais, convirtiendose en un verdadero acontecimiento literario.