A THOUSAND MORONS

A Thousand Morons, Quim Monzó’s latest collection of short stories, is rife with very unfortunate characters. There’s the young boy in “A Cut” who is upbraided by his teacher when he rudely shows up for class with a huge gash in his neck. And the prince in “One Night” who tries everything to awaken a sleeping princess—yet fails completely.

Seeing that this is a Quim Monzó collection, absurdity offsets the “moronic” sadness. Such as “Love Is Eternal,” which features a man who decides to finally overcome his commitment issues and marry his dying girlfriend, only to have everything backfire; or “The Fullness of Summer,” in which a family meticulously records every moment of their gathering.

An excellent combination of longer, elegiac stories of “morons,” aging, and the passage of time—with short, flashier pieces that display Monzó’s wit and playfulness—make this one of the strongest collections in the oeuvre of Catalan’s short fiction master.